Learn 5 classic jazz pentatonic scale patterns that you can apply to any As many guitarists begin playing rock, blues and pop music before. The scale we’re about to learn is used loads in country, blues and rock. It’s a little strange to get used to at first, because the patterns are the same as for the Mi.

Author: Vudolkree Mezilabar
Country: Cuba
Language: English (Spanish)
Genre: Life
Published (Last): 22 January 2004
Pages: 328
PDF File Size: 7.69 Mb
ePub File Size: 11.46 Mb
ISBN: 249-3-83955-702-8
Downloads: 28599
Price: Free* [*Free Regsitration Required]
Uploader: Shakasa

Try to visualize the shape of the related chord with every scale shape you learn in this lesson. The more observant of you might notice that some of the extra notes are similar to those we used in our Blues Hybrid Scale ; Good fun playing with this one it’s the same as Pattern 2 of the Minor Pentatonic, but we’ve not checked that out yet!

Good fun playing with this one it’s the same as Pattern 2 of the Minor Pentatonic, but we’ve not checked that out yet! Because the Pentatonic scale only has those five notes, not only are they always going to sound okay, but they work over every chord being used in that key.

Put on the backing track and solo for the full 5 minutes and just experiment. Using the same approach, here is an even better trick. So one of the things that you need to check out is what notes sound cool vlues what chords – and you do that by listening.

To start with I b,ues you learn the first and third positions thoroughly, because that gives you a good mid-range and high tone options for lead blues playing which can transpose up okay a few keys without getting too far up the neck.

That leaves us with an E minor pentatonic scale: It all relates back to the major scale. Don’t feel like you need to do this with all five scale shapes at once.

The scale we’re about to learn is used loads in country, blues and rock. To turn our G major scale into a G major pentatonic scale, we just have to remove the 4th and 7th scale degrees. We are using cookies like everybody else to give you the best experience. You will find with this scale that some notes sound awesome over some chords and sound pretty crummy over others.

  ENCYCLOPEDIA OF MULTIMEDIA BORKO FUHRT PDF

Practice Blues Guitar In Any Key: 5 Pentatonic Scale Patterns

You remember all about root notes right? The last scale shape begins with your fourth finger on the 15th fret. The D7 cord contains the note C, so the C Sharp really clashes with it, and not in a cool way. This track is basically just four measures of the G major chord, followed pentatlnik four measures of the E minor chord. In this case, it’s an E major chord shape. The more observant of you might notice that some of the extra notes are similar to those we used in our Blues Hybrid Scale.

Try emphasizing the E notes in all five scale shapes. Learn the first and third positions thoroughly, because that gives you a good mid-range and high tone options for lead blues playing. You really have to treat this as a new scale to start with – sure there are some minor pentatonic licks you can sneak in there later, but much better to start with thinking of it as a whole new thing! Please note that this is Pattern gitarrf The main gitarree is because Pentatonic scales are easy.

Beginners Guide to Improvisation: Cancel comment Leave a comment Cancel Name. This will help me make constant improvements to better your experience. Bluds slow, cool solos so you can hear how well the notes fit.

I’ve included a Glues Track that you can download at the top of the page. This just takes practice, you just learn to avoid the notes that don’t sound cool over particular chords.

The 5 Pentatonic Scale Shapes

The next scale shape will start with your fourth finger penatonik the 10th fret of the 6th string. The pentatonic scale is a five note scale. Watch this video to understand more:. Foundation 5 Practice Schedule. Notice where the root note locations are, and use them to help you ggitarre and remember each shape.

  LUCAS REMMERSWAAL PDF

This is because they sound great over many styles of music, and are relatively easy to start improvising with.

Reply to Ron Meijer. This is especially true for the Minor Pentatonic scales being played over a minor key. Ear Training Exercises F5. ;entatonik Read privacy policy. Now, remembering that by transposing the identical pattern up and down the neck gives you different keys, shifting the A Minor Pentatonic shape which starts on the fifth fret up a tone will give you B Minor, D Major very handy!

This position is penttatonik to a D major chord shape.

Click here to support the site – make a donation today! As always, technique first and let speed develop naturally. With each of the shapes we learn, there will be a chord shape that will go along with it. But as I said, you can’t be doing that all the time – you must learn to use this scale like it’s completely new!

It comes from the major scalewhich is a seven note scale. It’s always a good idea to learn Pattern 1 of a scale, and so now that you are not going to get confused by the similarity of the shapes, we’re going to check out The Major Pentatonic Pattern 1.

The 5 Pentatonic Scale Shapes – Guitar Lesson

The first major pentatonic scale shape starts with our G root note on the 3rd fret of the 6th string. It works really well with most traditional blues tunes, since blues songs do tend to be comparatively simple in construction. Gitarer one is really commonly used by country guys and the early blues players like Chuck Berry.

This position is related to a C major chord shape.